Recently I have been intrigued with the idea of creating an abstract painting on black canvas.  I had seen it in the art and craft supply store locally where I shop and thought it might be an interesting adventure.  First I tried a small one to see if there were any preliminary precautions I needed to learn before venturing forth on a large canvas.  It is always daunting as any painter know to stare at a big white canvas before you, but I decided to think about painting on a solid black canvas in a different way.  When I start a painting with a white canvas I always try to know out all of the white space immediately, but painting on the solid black canvas I decided to first explore leaving the black as a background and creating the artwork to optimize that.  On the first small canvas I created a linear pattern of blue and white and then added small strips of foil as a collage pieces.

Collage-Glimmer

Collage-Glimmer

For my second black canvas, I decided to be brave and tackle a larger one.  My idea for this one to again take advantage of the already prepared black back ground and use limited paint, white, beige and deep crimson.  I wanted it to have a very textured look.  It seems like an easy to execute plan.  Maybe too easy but that was not the case.

AbstractBW1

AbstractBW1

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Easy to paint but the problems is the strokes have to be carefully planned so it does not seem overdone and has the    freshness  of a simple and uncomplicated design.  This is difficult to do because sometimes the strokes do not happen as planned.  I wanted more of a textured look on the big line going diagonally up the canvas and it did not happen even after several tries.  By then the line was much more solid-looking than I had wanted.  Also the half circle on the right  middle did not look as I had wanted.

 

 

 

 

 

 

AbstractBW2

AbstractBW2

To correct this I added some black paint on top of the white and beige in the areas that i felt needed it. I added some deep crimson for accents.  I like the results.  It is a far departure from the way I usually paint, but I think it is good to try new things and push yourself in new directions.  It opens the doors to new processes of learning.